This ring is one of the clearest examples of cultural syncretism in Egypt. There is a very clear Graeco-Roman image on the inside of the ring, depicti (cont.)

For this shroud fragment only the person's feet are still visible, but the artistic style for the feet is more noticeably Roman. Despite this being a (cont.)

This carinated dish is believed to be an Egyptian copy of Roman pottery. As such, this could be interpreted as an example of cultural syncretism in an (cont.)

This small goblet is beautifully decorated. The floral decoration on the outside of the goblet appears more Graeco-Roman in terms of style, but the ob (cont.)

Another Roman shroud fragment, although in this one only the arm of the owner is visible. Standing next to the arm are Anubis and a small, mummified f (cont.)

Cultural syncretism can also be seen through the use of language. This stone relief depicts a procession of the gods, but at some point the carving wa (cont.)

This offering table dates to the Ptolemaic Period, when Egyptian history experienced a large amount of syncretism largely due the ruling pharaohs bein (cont.)

"Grotesque heads", as these are usually called, are generally found and dated to the Graeco-Roman Period. With the purpose of these objects being uncl (cont.)

This pottery brazier is an interesting example of syncretism through religion. The style of this particular piece is noted to be similar to other Egyp (cont.)

This metal figure depicts the child deity Harpakhered, a god who is found usually within the Graeco-Roman Period. To the Greeks and Romans this god wa (cont.)

Cultural syncretism is not limited to the living. This funerary stela was inscribed to commemorate a woman by the name "Arisa". The stela itself is Gr (cont.)

This mummy label can also be treated as an example of cultural syncretism in death. Mummy labels were used to identify the dead when shipping the dead (cont.)

This travertine fragment is inscribed with Himyarite writing. All that remains of the inscription is the name "Habum Garaymum". This potentially acts (cont.)

This potter's stamp is particularly interesting. The inscription language is unknown, but looks like Latin or Etruscan. The language depicted is clear (cont.)

Much like the earlier scarab ring, this collection of Etruscan scarabs shows a clearer example of cultural syncretism. The usage of scarab designs alo (cont.)

The style of this particular cup is more like that of Greek pottery, but the object was found in Egypt. This could mean that the cup was made in Egypt (cont.)

This globular jar is one of the few objects in this trail that does not show cultural syncretism with Mediterranean cultures. Instead, this jar is lis (cont.)

This is another object that has a Coptic inscription on it, although the writing is incredibly faded. I believe it to be some sort of mummy label, alb (cont.)

This shroud section, which can be found in the House of Death gallery, acts as another example of merging artistic styles from two cultures. The shrou (cont.)

This cartonnage covering, dating to the Roman Period is an example of Egyptian influence on Roman funerary culture. The use of idealized depictions of (cont.)